Derrière le Miroir No. 164-165, IV, 1967

200.00

Artist: Joan Miró
Title: Original Lithograph from Derrière le Miroir N° 164-165, 1967
Size: W 56 × H 38 cm
Dated: 1967
Signature: /
Numbered: /
Series: Derrière le Miroir N° 164-165
Edition: unknown
Medium Type: Lithograph
Certificate of authenticity: Not included
Publisher: Published by Maeght Éditeur, 1967
Image rights: © Muetos Gallery
Condition: good (A), very mild signs of usage, slightly yellowed paper
Frame: Not included

Biography:
Joan Miró was a seminal figure in 20th-century avant-garde painting. The Spanish artist’s innovative use of line, organic shapes, and color represents a major contribution to Surrealism. Representative of his ability to conjure evocative space Miró’s famed triptych Blue I,II,II (1961), portrays a floating world using only blue, orange, and black. “Little by little, I've reached the stage of using only a small number of forms and colors,” the artist reflected. “It's not the first time that painting has been done with a very narrow range of colors. The frescoes of the tenth century are painted like this.” Born on April 20, 1893 in Barcelona, Spain, the artist first studied commerce before defying his parents and enrolling at the art academy in his hometown. In 1919, Miró moved to Paris where he fell into the Surrealist milieu, befriending André Breton, Max Ernst, Jean Arp, and André Masson. Miró’s work profoundly influenced several American painters, including Arshile Gorky and Mark Rothko. The artist died at age 90 on December 25, 1983 in Palma de Mallorca, Spain. Today, his works are held in the collections of the Art Institute of Chicago, The Museum of Modern Art in New York, the Tate Gallery in London, and the Fundació Joan Miró in Barcelona, a museum dedicated to the artist and his legacy.

About Derrière Le Miroir:
French for “Behind the Mirror,” Derrière Le Miroir was a publication that ran from 1946 to 1982, featuring prints by the era’s most celebrated Modernists at a fraction of their usual cost. Produced by Galerie Maeght in Paris, the publication was dedicated to making art widely accessible at a time when many exiled artists and creative thinkers had just returned to France at the end of World War II. With lithographs by artists including Alexander Calder, Ellsworth Kelly, and Joan Miró, each issue of Derrière Le Miroir was non-editioned and unsigned—creating unprecedented accessibility to works by these artists.

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